Creating Compelling Characters
Workshop Guide: Susan Hubbard
One-week Residential Retreat, arriving Saturday, 5 June and departing Saturday, 12 June

"Building three-dimensional characters out of words is an essential part of a writer's craft. Creating characters who are plausible, yet not stereotypical, is central to writing poetry, fiction, essays, plays, and memoirs alike. We aspire to create not merely realistic characters, but fascinating ones who will go on to haunt our readers.

"This intensive workshop invites you to construct a character who will inhabit your next poem, novel, story, or nonfiction piece. Mornings are devoted to discussions, writing exercises, and workshops. Afternoons allow time to write, complete assignments, explore the countryside, or schedule one-on-one conferences with Susan. Evenings are for dining, socializing, dreaming, or writing on your own. Whether you are an aspiring or an experienced writer, this week offers you insights into your character and guidance in finishing your next creative project. We also discuss a range of topics important to the creative writer, including how to get published, find an agent, build a writing discipline, and secure a creative support system.

"Anam Cara is an ideal setting for writers to come together, work hard, savor Sue's excellent cooking, and find sustained inspiration. By the week's end, you'll be refreshed, renewed, and inspired, and you'll return home in the company of a character ready to propel your next work to completion."

(www.susanhubbard.com) is the award-winning author of six internationally published books, including The Society of S (Simon & Schuster, 2007) and The Year of Disappearances (Simon & Schuster, 2008). Her seventh, The Season of Risks, will be published in 2010. Hubbard's short story collection, Blue Money, won the Janet Heidinger Kakfa Prize for best book of prose by an American woman published in 1999. Her first book, Walking on Ice, received the AWP Short Fiction Prize. Hubbard co-edited 100% Pure Florida Fiction, an anthology. Her short fiction has appeared in TriQuarterly, The Mississippi Review, Ploughshares, and other journals. Her fiction has been translated and published in more than fifteen countries.

Hubbard is Professor of English at the University of Central Florida, and she's taught summer workshops for Cornell University, Stonecoast Writers Workshop, and Split Rock Arts Program. She has received teaching awards from Syracuse University, Cornell University, the University of Central Florida, and the South Atlantic Administrators of Departments of English. Her writers' residencies include Yaddo, the Virginia Center for the Creative Arts, the Djerassi Resident Artists' Project, and Cill Rialaig. In 2002-03, she served as President of Associated Writers and Writing Programs (AWP).

The Poem and the Dream
Leaders: Paula Meehan and Juliet Clancy
One-week residential retreat, arriving Saturday, 19 June and departing Saturday, 26 June

Finding the Story
Leaders: Nessa O'Mahony and Peter Salisbury
Three-day Residential Retreat, arriving 1 July and departing 4 July

Narrative is one of humankind's most ingrained instincts. From the beginnings of time, we have sought ways to tell our story, and that of the world around us. Even in this brave new world of technology, we remain captured by good storytellers, whatever the medium. This workshop will lead participants on a journey to discover narrative technique, using a variety of creative writing and drama practices. The workshop will focus on story outlining, finding and building conflict, plot development and resolution, with individual sessions on how we generate story ideas, how characters generate plot and vice versa, and how we build plot and make it credible and enticing. Participants will be asked to respond to a variety of stimulus and will come to understand the narrative structure inherent in all forms of writing.

Dublin-based writer Nessa O'Mahony and drama facilitator Peter Salisbury, the workshop is aimed at writers of all genres who wish to develop their skills in narrative. Nessa O'Mahony is an award-winning poet who has published two collections of poetry and a verse novel (In Sight of Home, Salmon Poetry, May 2009), and has a PhD in Creative Writing. Peter Salisbury is a writer, director, and drama facilitator, whose clients include The Gaiety School of Acting and the National Learning Network.

Writing from Within: Haiku and the Spiritual Dimension
Leaders: Maeve O'Sullivan and Kim Richardson
A Long-weekend Residential Retreat, arriving Thursday, 22 July and departing Sunday, 25 July

Maeve O'Sullivan is a leading Irish haiku poet, a founding member of Haiku Ireland, and an experienced haiku workshop leader, and Kim Richardson is a published haiku poet and experienced leader of meditation retreats. Maeve and Kim are joint authors of the haiku collection Double Rainbow, which was launched by Alba Publishing in 2005 and received a number of favourable reviews (see www.albapublishing.com).

The Art of Seeing in Ireland: A Workshop for Photographers, Writers, and Visual Artists
Leader: Patrick Keough
One-week Residential Retreat, arriving Saturday, 31 July and departing Saturday, 7 August 2010

The Art of Seeing workshop will give participants creative techniques and exercises for developing heightened awareness (hypersensitivity) to the world, to look beyond mundane and commonplace subject matter, and to break external visual references down into basic lines, forms, colors, values, and textures -- to abstract (frame) these commonplace external references into new and visually interesting compositions in both words and pictures. It's all about learning to see as an artist. These techniques can be applied to any art form; however, we will be focusing on writing (journaling), photography, and sketching during the retreat.

Patrick Keough has taught art, photography, journalism and graphic design for the Community College System of North Carolina for 25 years. He was the Chairman of the Society for Photographic Education Southeast Region from 1996-1999, won First Place for his digital photograph Eyeries Village at the 2002 Carteret Arts Council Art from the Heart Juried Exhibit, and exhibited his Ireland photographs at the Secret Garden Gallery on Ocracoke, North Carolina in 2003. He also showed is Ireland images at Anam Cara Writer's and Artist's Retreat and Gallery in Southwest Ireland in the Fall of 2003. He had a One-Man Show of his Ireland photographs at the Jacksonville Arts Council's Gallery during June and July of 2005. Keough published his first book Einstein Place and other Stories in 2006 and has been publishing a series of "blurb" books on his family, travels and journals since 2007. Images from Patrick's, and his daughter Andei's, last trip to Ireland can be seen at: http://web.carteret.edu/keoughp/PKeough/Irelandweb09/ . For more of his work, see: http://keoughp.wordpress.com/photo-of-the-day/

Emotional Structure: Creating the Story Beneath the Plot, A Workshop for Screenwriters
Leader: Peter Dunne
One-week Residential Workshop, arriving 21 August and departing 28 August

Much weight has been given to screenplay structure, but understanding structure is not the same as understanding writing. We are all familiar with scripts and films whose plot points fall nicely into place like pieces of a puzzle, yet are still missing an elemental, terribly important something. The explanation is simple. Though every screenplay plot has a beginning, middle, and end, it's more important and often ignored, complex structural level is that which lies beneath. Hidden yet hard at work, the Emotional Structure is the script's internal landscape -- its secret architecture that successfully informs the plot with purpose, viscerally connects the internal and external themes, and directly manipulates the tensions and rhythms of the drama's central ideas.

Without understanding Emotional Structure, the beginning, the middle, and the end of your script will have a one hundred percent chance of becoming the beginning, the muddle, and the end. This is because emotion rules the central, most misunderstood and most feared element of a screenplay -- that of the story's underlying meaning. And only by understanding Emotional Structure can we bring solid, creative solutions to the writing process, and meaning to our stories. It is the surest way to turn your script's problems into your script's power.

Fortunately for us, long before God created Hollywood, He created Ireland, home of the real storytellers, and the Beara Peninsula, home of the extraordinary and spiritual setting of Anam Cara. For, surely, He knew that one day every one of us was going to need the perfect place to find the strength and the courage to face the screenwriter's demons.

Writing is hard work. It demands a willingness on our part to expose our innermost selves by creating heroes who become living expressions of our spiritual DNA. That is why, combined with the serene and contemplative ambiance of Anam Cara, this workshop is specifically designed to offer the encouragement, and support, and enlightenment every writer needs, every day.

The workshop welcomes writers of all levels and will be composed of conversations addressing key issues of story, plot, conflict, and dialog; plenty of writing time in comfortable spaces to find your words; plenty of wandering time in beautiful places to find yourself; and private consultations with a special emphasis on helping each writer develop his or her own screenplay's Emotional Structure.

An award-winning producer and writer, Peter Dunne brings three decades of experience in script development, writing, and producing to every project. His experiences as a writer and producer have taken him around the world: from Los Angeles to London, from Portland to Atlanta, from Las Vegas to New Zealand.

Peter served as the Vice President of Development for three Hollywood studios before beginning his career as a screenwriter and producer. Among the projects he has produced and/or written are such classics as CSI: Crime Scene Investigation, Melrose Place, Savannah, Police Story, Dallas, Knots Landing, JAG, Nowhere Man, Dr. Quinn: Medicine Woman, and the extraordinary mini-series Sybil.

He has compiled an impressive list of honors along the way that includes the Emmy Award, the George Foster Peabody Broadcasting Award, the Scott Newman Award, the Chicago Film Festival's Silver Hugo, and the distinguished Kennedy Foundation Honors, among others.

Peter is the author of the book Emotional Structure: Creating the Story Beneath the Plot (A Screenwriter's Guide), published by Quill Driver Press, and is a contributing writer to Quality TV: Contemporary American Television and Beyond, published by I.B. Taurus, London. He teaches screenwriting at the UCLA School of the Arts, Writers' Program, and has been a visiting lecturer at Santa Clara University, The University of Southern California, and The University of Central America in El Salvador.

A dual-citizen of the United States and Ireland, Dunne is a member of the Writers Guild of America, the Producers Guild of America, The Irish Writers Union, PEN Ireland, PEN USA, and PEN International. He is currently writing an unauthorized autobiography.